As a 3-dimensional artist, the artist/blacksmith has the ability to easily create movement and motion with their forgings.
For example...
This sculpture a Smyth Boone original from 2005 is called "Surfing..." (15" x 9" by 18" tall) Owned by the Mueller Collection.
The title, "Surfing..." is a verb because the sculpture shows suggested motion and movement. In the next photo, the viewer can see the balance, visual stress, strength of the medium, and some fun. The waves are forged steel scrolls which give the impression of waves and moving water. The blacksmith is an impressionist(more on this topic in a later discussion). Here is a closer view of the
action...
In the photo above, check out how far out the surfer is from the base waves. He is joined by two small rivets that go through the surf board and a wave. I extended the surf board as far out as I could to really highlight the strength of the steel; although, it grabs the viewers' attention because it is so far out there that it would appear to be unstable or actually moving. This is referred to as stress or tension in a design. Stress and tension is a very common and strong device to use as an artist because it attracts the viewer.
Notice the body movement of the Surfer. He is twisted in a very natural and possible position. This is very important when using the human form. The human form needs to be in a possible and
conceivable position for the viewer to believe the sculpture.
The extension of the arms is another way to direct the viewers eye and create a larger form for the sculpture, once again creating motion and direction. Balance is the double entendre' here. The sculpture is balanced and the surfer is balancing!
Also in the above photo... check out the waves. They are all separate and have a unique flow. This suggests movement to the viewer because each one is a different position which creates action. The waves are not static, they are visually moving. The scrolls forming the waves are compound curves(curves going in more than one direction simultaneously) which is one of the unique properties gained by forging steel.
The photo above demonstrates the "riders" hair flowing, his arms and hands keeping balance while they convince the viewer that he is moving. Also check out how far the surf board is extended beyond the waves.
Now see the details of the riveted connection, the wave details, and the position of the surfer. His back foot is naturally leaning forward and his toes are on the board while his heel is raised.
The final view, below, shows the motion from a side angle. Check out the suggested movement of the waves, the surfer, and the entire piece together.
One of my favorite things about using steel as a medium is it's physical strength. Not only is it the perfect material for railings, fire pokers and building structures, it also lends itself to beautiful sculpture.
Cheers,
Smyth Boone
Here is a very nice interview on me and Boone's Hooks that is being featured on ETSY.com.
In the photo above, check out how far out the surfer is from the base waves. He is joined by two small rivets that go through the surf board and a wave. I extended the surf board as far out as I could to really highlight the strength of the steel; although, it grabs the viewers' attention because it is so far out there that it would appear to be unstable or actually moving. This is referred to as stress or tension in a design. Stress and tension is a very common and strong device to use as an artist because it attracts the viewer.
Now see the details of the riveted connection, the wave details, and the position of the surfer. His back foot is naturally leaning forward and his toes are on the board while his heel is raised.
One of my favorite things about using steel as a medium is it's physical strength. Not only is it the perfect material for railings, fire pokers and building structures, it also lends itself to beautiful sculpture.
The line drawing above is not visually clear on the negative and positive attributes that will become the highlight of the design. So... here is a drawing that has been shaded to show the positive(solid) compared to the negative(spaces in between the positive aspects).
The negative and positive spacial relationships jump out at the viewer. Now, it appears that the heads and hands of the positive "figures" face each other with their hands extended above their heads forming a suggested circle. This is an example of using positive space to suggest a form in the negative space. The circle in the middle is simply suggested.
Now to show one more cool feature highlighting the negative and positive spacial relationships and the actual function of the piece. Lets add fire to the mix...
The fire constantly changes and moves highlighting the positive and negative spacial relationships.
Posts
.JPG)
